André's Rehearsal Notes for November 15th, 2025
Hey Choral Evolution!
Isn't singing in a choir wonderful? So fulfilling when we get to this point in the process, eh? 😍
You really sounded amazing at times last night. We do have a Choral Evolution sound that is very compelling and engaging. I’m sure this will be a very enjoyable show for our devoted audience. Now it’s time to bear down on your practice. These last few weeks are crucial if we are to give a stellar performance. Don’t let up, use the music, keep singing every day!
I will leave my thoughts on singing high notes at the bottom of this post.
Here is the method for making those pesky French vowel sounds. Very good practice for English speakers. This you can practice in the car or in front of the TV.
- Pleurant, Malheureux, D’eux– make an oo sound, now say “ay” without moving the basic shape
- Fugitif, Tu– Make an oo sound, now say "ee’ without moving the basic shape
- Un - your mouth is open and rounded. You should produce the sound “ah(n)”. You have to open the soft palate at the roof of the mouth which makes the sound slightly nasal.
Here are some links I recommend you practice along with now that you know the arrangements.
Locus Iste - VOCES8: 'Locus Iste' by Anton Bruckner
Solstice Carol - Solstice Carol (Wyrd Sisters, Arr. Scott Reimer)
Away from the roll of the Sea – Cape Breton Chorale - Away From the Roll of the Sea (MacGillivray)
Sing the Winter Away - https://cypresschoral.com/composers/robbie-smith/sing-the-winter-away/
Un Canadien Errant – Here is the Edmonton base choir I told you about.
https://www.youtube.com/watch?v=02j5sGbIoFw&list=RD02j5sGbIoFw&start_radio=1
Early Mornin’ Rain –https://cypresschoral.com/composers/mark-sirett/in-the-early-morning-rain/
Christmas Trilogy – https://www.jwpepper.com/a-festive-christmas-trilogy-11564439-2200822/p
The St. Olaf Choir - Carol of the Bells (Ukrainian Bell Carol)
Make and break Harbour. https://cypresschoral.com/composers/ron-smail/make-and-break-harbour/ - only TTBB here, but Chor Leoni does a wonderful job of bringing out the text, making it conversational and meaningful. Tenors and Basses should pay close attention to the sound this choir makes, it’s smooth, perfectly warm and clear
Thank you - Thank You (SATB Choir) - Arranged by Mac Huff
Here’s the lineup for this Saturday’s Half Day retreat:
- 9:00 Warm up and Locus Iste – Warm up before rehearsal because you care about the sound.
- Sing the Winter Away
- Indian Summer
- Away from the roll of the Sea –
- All the Little Rivers –
- Un Canadien Errant –
- Early Mornin’ Rain – The Field Behind the Plow - Make and Break Harbour – try each with Guitar accompaniment
- Thank you – featuring the Dinos!
I will see you all at St Rose of Lima church in Sooke at 9am Saturday November 15th,
André ♪
About singing “high notes”
There is a physical element to singing that can’t be imagined or explained, it has to be experienced. When you sing higher pitches, the vocal chords tighten in order to vibrate faster. Your breathing system has to respond with more breath pressure in order to overcome this tightening. When singers and teachers talk about supporting the tone, this is what they are often referring to. You must blow more air with more force in order to get the high notes to speak. Conversely, your vocal chords must be strong enough to resist that higher breath pressure. Practicing and trying are the only way to learn this balancing act.
Once you get the hang of this, it becomes second nature and the 2 systems, vocal chords and breath work together in harmony. But you must try to sing out regularly to develop that coordination. Imagining or singing quietly in your car will not do, you must experience and practice the skill. You must find a big room and sing those rising phrases repeatedly, even if you fail. Eventually, the systems will balance themselves and you will develop strong high notes.
· Sing regularly in a large room. Sing high passages on “OO” at first, it will be easier, then move to an “AH” and then add the words without losing the feeling.
· Don’t worry about cracking or sounding bad, that is part of the process. Over time, strength and coordination will build and you will gain confidence when attempting higher passages.
· Sing those higher passages multiple times and return to them regularly. Sing a comfortable Mezzo Forte at first, then get softer for passages marked Piano.
· Use Locus Iste as a practice piece, there is lots of variety.
