André's Rehearsal Notes for November 12th, 2025
Sing out Choral Evolution!
There is a physical element to singing that can’t be imagined or explained, it has to be experienced. When you sing higher pitches, the vocal chords tighten in order to vibrate faster. Your breathing system has to respond with more breath pressure in order to overcome this tightening. When singers and teachers talk about supporting the tone, this is what they are often referring to. You must blow more air with more force in order to get the high notes to speak. Conversely, your vocal chords must be strong enough to resist that higher breath pressure.
Once you get the hang of this, it becomes second nature and the 2 systems, vocal chords and breath work together in harmony. But you must try to sing out regularly to develop that coordination. Imagining or singing quietly in your car will not do, you must experience and practice the skill. You must find a big room and sing those rising phrases repeatedly, even if you fail. Eventually, the systems will balance themselves and you will develop strong high notes.
- Sing regularly in a large room. Sing high passages on “OO” at first, it will be easier, then move to an “AH” and then add the words without losing the feeling.
- Don’t worry about cracking or sounding bad, that is part of the process. Over time, strength and coordination will build and you will gain confidence when attempting higher passages.
- Sing those higher passages multiple times and return to them regularly. Sing a comfortable Mezzo Forte at first, then get softer for passages marked Piano, but keep the breath moving.
- Use Locus Iste as a practice piece, there is lots of variety.
O Canada harmony is recorded on our rehearsal tracks opening page. Gabe plays it perfectly!
Anthem Singers will meet at the entrance to Save-on-foods centre at 3:20 pm.
We’re at a point where we’ll be running more tunes and hopefully rehearsing less. I will touch on all these tunes this week:
7:00 Warm up and Locus Iste – Warm up before rehearsal because you care about the sound.
7:20 Field behind the Plow – review
7:40 Make and Break Harbour – review
7:55 Carol of the Bells – review
8:10 Break
8:20 Solstice Carol – review
8: 40 Un Canadien Errant – ending and review
8:55 Christmas Trilogy – Get those eyeballs moving, we’ll run this as much as we can
I will see you all at Sooke Community Hall at 7 pm Wednesday November 12th.
André ♪
musictheory.net is a free resource that will teach you all about how written music works. There are theory lessons and ear training for every level of musician. Click on the word “lessons” at the top left and do at least one lesson a day. Each lesson takes just a few minutes to complete and they are fun!. Click on the sentences at the bottom of the page to advance through the lesson. Spending a few minutes a day here will help you become more comfortable with written music.
Reminders:
✓ Sing out loud in a big room as often as you can. As you learn a tune practice singing as you would in a show. This will strengthen your voice and our choral sound.
✓ Please bring a pencil to rehearsal ✓ Mark your parts, make lots of notes – the score is a road map to beautiful music but we have to all agree on how we will perform it.
✓ We have Excellent New music, mark lightly with pencils only. You will have to erase it all at the end of the session when you return your music.
✓ In long passages, decide where you will breathe, mark it down and practice it. For instance, the opening phrases of “Away from the roll of the Sea” should be sung in 9 bar blocks and you need to be sure where you will sneak a breath
✓ Practice – know your parts – use the practice tracks. While it’s great to listen to the tracks, it’s even better to follow them with the music in front of you. We will be stopping and starting a lot at rehearsals, and you’ll be able to follow better if you have been looking at the score as you sing.
